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    Dynamics of Cricket Sound Production

    Source: Journal of Vibration and Acoustics:;2015:;volume( 137 ):;issue: 004::page 41019
    Author:
    Godthi, Vamsy
    ,
    Pratap, Rudra
    DOI: 10.1115/1.4030090
    Publisher: The American Society of Mechanical Engineers (ASME)
    Abstract: The clever designs of natural transducers are a great source of inspiration for manmade systems. At small length scales, there are many transducers in nature that we are now beginning to understand and learn from. Here, we present an example of such a transducer that is used by field crickets to produce their characteristic song. This transducer uses two distinct components—a file of discrete teeth and a plectrum that engages intermittently to produce a series of impulses forming the loading, and an approximately triangular membrane, called the harp, that acts as a resonator and vibrates in response to the impulsetrain loading. The fileandplectrum act as a frequency multiplier taking the low wing beat frequency as the input and converting it into an impulsetrain of sufficiently high frequency close to the resonant frequency of the harp. The forced vibration response results in beats producing the characteristic sound of the cricket song. With careful measurements of the harp geometry and experimental measurements of its mechanical properties (Young's modulus determined from nanoindentation tests), we construct a finite element (FE) model of the harp and carry out modal analysis to determine its natural frequency. We fine tune the model with appropriate elastic boundary conditions to match the natural frequency of the harp of a particular species—Gryllus bimaculatus. We model impulsive loading based on a loading scheme reported in literature and predict the transient response of the harp. We show that the harp indeed produces beats and its frequency content matches closely that of the recorded song. Subsequently, we use our FE model to show that the natural design is quite robust to perturbations in the file. The characteristic song frequency produced is unaffected by variations in the spacing of fileteeth and even by larger gaps. Based on the understanding of how this natural transducer works, one can design and fabricate efficient microscale acoustic devices such as microelectromechanical systems (MEMS) loudspeakers.
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      Dynamics of Cricket Sound Production

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    contributor authorGodthi, Vamsy
    contributor authorPratap, Rudra
    date accessioned2017-05-09T01:25:09Z
    date available2017-05-09T01:25:09Z
    date issued2015
    identifier issn1048-9002
    identifier othervib_137_04_041019.pdf
    identifier urihttp://yetl.yabesh.ir/yetl/handle/yetl/160084
    description abstractThe clever designs of natural transducers are a great source of inspiration for manmade systems. At small length scales, there are many transducers in nature that we are now beginning to understand and learn from. Here, we present an example of such a transducer that is used by field crickets to produce their characteristic song. This transducer uses two distinct components—a file of discrete teeth and a plectrum that engages intermittently to produce a series of impulses forming the loading, and an approximately triangular membrane, called the harp, that acts as a resonator and vibrates in response to the impulsetrain loading. The fileandplectrum act as a frequency multiplier taking the low wing beat frequency as the input and converting it into an impulsetrain of sufficiently high frequency close to the resonant frequency of the harp. The forced vibration response results in beats producing the characteristic sound of the cricket song. With careful measurements of the harp geometry and experimental measurements of its mechanical properties (Young's modulus determined from nanoindentation tests), we construct a finite element (FE) model of the harp and carry out modal analysis to determine its natural frequency. We fine tune the model with appropriate elastic boundary conditions to match the natural frequency of the harp of a particular species—Gryllus bimaculatus. We model impulsive loading based on a loading scheme reported in literature and predict the transient response of the harp. We show that the harp indeed produces beats and its frequency content matches closely that of the recorded song. Subsequently, we use our FE model to show that the natural design is quite robust to perturbations in the file. The characteristic song frequency produced is unaffected by variations in the spacing of fileteeth and even by larger gaps. Based on the understanding of how this natural transducer works, one can design and fabricate efficient microscale acoustic devices such as microelectromechanical systems (MEMS) loudspeakers.
    publisherThe American Society of Mechanical Engineers (ASME)
    titleDynamics of Cricket Sound Production
    typeJournal Paper
    journal volume137
    journal issue4
    journal titleJournal of Vibration and Acoustics
    identifier doi10.1115/1.4030090
    journal fristpage41019
    journal lastpage41019
    identifier eissn1528-8927
    treeJournal of Vibration and Acoustics:;2015:;volume( 137 ):;issue: 004
    contenttypeFulltext
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    DSpace software copyright © 2002-2015  DuraSpace
    نرم افزار کتابخانه دیجیتال "دی اسپیس" فارسی شده توسط یابش برای کتابخانه های ایرانی | تماس با یابش
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